![]() I worked with the model to find a standing position where the shadow patterns were large and loose at her head, but became more tightly-packed further down. Using the maximum aperture on a medium telephoto lens threw the elements other than the light and shadows out of focus, which made the main subject stand out.Ĭomposition: Making the shadows look more dynamicĪs there wasn’t a lot of colour in the scene, I decided to use the patterns made by the shadow of the fence to create interest. To match this theme, I deliberately obscured the model’s facial expressions so that the image would be more abstract. The light was not too harsh-beautifully diffused, and I decided to shoot a portrait at the same spot with my wife as the model. I was out on a walk with my camera one evening when I found a spot where the sun shone through a fence from the side. (Reported by: Yuya Sugimoto, Digital Camera Magazine)ĮOS 5D Mark IV/ EF135mm f/2L USM/ FL: 135mm/ Manual exposure (f/2, 1/500 sec)/ ISO 100/ WB: 3,900K In this article, Yuya Sugimoto shares how he made the shadow patterns cast onto his model by a fence stand out in a high key image. Learning how to read the light is an essential photography skill! In this series of articles on “Handling Natural Light”, we look at how photographers analysed the ambient light to achieve images with beautiful lighting. ![]()
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